To accompany the release of Kevin
MacDonald’s upcoming Bob “Tuff Gong” Marley biopic Marley, Island are releasing a collection of songs from and
inspired by the film. With a formidable number of retrospective collections for
Bob Marley & the Wailers already available (not to mention Legend, the best selling reggae album of
all time) it may seem pointless to release yet another. However, as with
MacDonald’s documentary, this release proves to scratch beneath the surface of the
man a little more than its predecessors have.
Although most of the fare on
offer here has been previously heard elsewhere, there are a few hidden gems to
be found. The pre-Island era tracks offer an insight into the early musical
potential and growth of Bob, especially Small
Axe and Mellow Mood which point
to the rootsy pop sound that would make Bob the Third World’s first superstar. Meanwhile,
the inclusion of live cuts gives a glimpse into the formidable presence Bob had
on stage and the energy emitted from The Wailers during their extended jams. Of
particular note is the previously unreleased recording of Jammin’ from 1978’s One Love Peace Concert. The energy of the
performance is palpable, with Bob on striking form as the possessed reggae
prophet giving it his all. Around the sixth minute Bob requests the presence of
bitter political rivals Michael Manley and Edward Seaga to
join hands, a gesture which went some way towards restoring peace to a divided
Jamaica. While on paper this may seem like political showboating, listening
to the recording puts such suspicions firmly to rest. You can audibly hear Bob
smiling and revelling in the music as The Wailers keep the good vibes burning
on through the night. It is such treasured moments as these that remind us of
Bob’s all-encompassing philosophy that all ailments could be healed through the
power of music and love, and of his dream for a united world.
As for the hits on the soundtrack, many of them are from across Bob’s career such as Stir
It Up, No Woman, No Cry and Redemption
Song. These are positioned alongside noteworthy, but oft neglected album
tracks such as Concrete Jungle and Real Situation. Overall this is a decent
and varied collection of songs, the only real false note being the Kindred
Spirit dub remix of Exodus where the
original track soon becomes lost amongst dance beats and trance keyboards. Will
this replace Legend as the go-to
introduction to Bob Marley & The Wailers? Probably not, but it is certainly
a compelling selection of tracks that present a balanced portrait of the man
behind the music. If you haven’t got a Bob Marley & The Wailers album in
your collection, you could certainly do a lot worse than Marley.
JM
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