The 5th of November is a day that will go down
in history for a number of reasons: in 1605, Guy Fawkes was arrested for
attempting to blow up parliament; in 1974 musician Ryan Adams was born; and in
2011 the first ever Jimstock Festival was held at Aberdeen’s Beach Ballroom.
Earlier this year, Jim Rodden – who runs the popular Cellar
35 Open Mic Night – suffered two heart attacks. After lengthy treatment at Aberdeen
Royal Infirmary’s Coronary Care Unit, Jim decided he’d like to give something
back to the staff at the hospital and along with his son Jamie, himself a
well-known local singer-songwriter, founded Jimstock as a fun and exciting way
of raising money.
Hosted by Shmu FM’s Johnny Dee, Jimstock took over the
Beach Ballroom for one day only as a host of Aberdeen’s best musicians turned
up in support of the cause. The University of Aberdeen’s film-making society –
Cinergi – were even on hand to film the show, with the aim of producing a
documentary in the near future.
Many of Hercules Moments’ reviewers were on hand
throughout the day to keep fans updated and Russ even maintained a steady stream
of live tweets during the show. Read on to see what we thought of all the acts…
Jim Rodden
Our opening act Jim Rodden, the man behind Jimstock, provided
a short but lovely introduction to the festival. Along with a few well deserved
special shout-outs to the nurses who had come to show their support, we heard
some great country rock featuring a mix of melodic guitar and a deep raw vocal.
This was a starter that eased you in nicely, ready for the main course ahead.
Chris and Lemi

Mark and Sarah
Another acoustic duo act graced the stage next in the
form of Mark and Sarah, a pair who ventured a little further along the path to
rock than the previous artists. The stand-out features of their set included fantastic
vocal harmonies, which worked well with their song choices, and their own song-writing
ability. They played only one of their own songs, but for me, it was very much the
highlight of their set: I wish they had saved it for last!
The Fools’ Reel

Dirty Shoes
Dirty Shoes started off slowly, as the fifth acoustic act
of the night. The energy soon picked up though, as people tapped along to the
faster paced Hey Hey. As a foursome,
the band worked nicely, blending soft acoustics with arpeggio electric guitar,
both of which complimented the emotive vocals beautifully.
The Marionettes

Dave O’Grady
Dave O’Grady returned to the acoustic theme of earlier in
the evening, with original bluesy licks and the cool indignation of a young
Johnny Cash. Halfway through his set, one could be forgiven for imaging the gig
taking place in a dingy bar in Texas instead of Aberdeen’s grand Beach Ballroom.
Brothers Reid

Playing through songs like Do It Yourself, I’ll take back my previous thoughts on the band:
they do know how to craft a song perfect for getting this previously-reserved
crowd on their feet. The crowd itself included an overly keen woman, who
proceeded to dance with any young man she could get her hands on. By the time
she got hold of me, I couldn’t have run away quicker. Sorry random woman, I am
too delicate.
The Tijuana Sun
Next on were
The Tijuana Sun. When this band walked on stage and started to play the first
song of their set, it was easy to compare them to Oasis. But for all the right
reasons. Theirs was a set of well-written and even better presented indie rock
songs. Singer Mark Ferguson had a well-deserved look of smugness as fans of the
band sang back at him, and his band managed to get a large percentage of the
crowd to dance.
Amy Sawers

The Trade
Second last on tonight were The Trade. Unfortunately, I think The Trade were maybe
on a bit late in the line-up. Following on from acts like Brothers Reid and Amy
Sawers was always going to be hard. Their songs were not bad, I just can’t help
but feel they would have stood out more had they been on earlier.
The Lorelei

Singer John
Martin and bassist Jonny Palmer made great use of the big stage, and this
energy was reflected back in the crowd. With the hours pushing on, no-one would
have expected the dancefloor to be full, however The Lorelei managed this with
ease. In between songs, while the band members switched between instruments,
Martin would repeatedly command anyone sitting down to get to their feet. And
get to their feet they did.
With almost
the entire crowd dancing on the Beach Ballroom’s famously springy dancefloor,
The Lorelei kept the energy high and played a brilliant set right up until the
house lights came on to signal the end of a quite frankly amazing collection of
local talent. And all in the name of charity.
Photos by David Lovie. See the full gallery here.
For more information on Jimstock, please visit www.facebook.com/jimstock2011
Cinergi’s Jimstock documentary will be screen at The
Belmont Cinema in early 2012
EK, EW, ES, JL, RT
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